Some Fine States, Part IV - Florida
Florida may seem like a zany state, but maybe that’s because it’s such a microcosm for America.
Political analyst Susan MacManus calls Florida the most complex and difficult swing state to win. Many assumptions about how voters vote, whether based on age or ethnicity, go to die in the Sunshine State. And as Florida’s population gets younger and more diverse, the state is pushing the needle on democracy — in both directions: as it amplifies voting rights in some ways and dampens them in others.
One prime political myth that Florida explodes is that of “the Latino vote.” MacManus tells Will and guest-host Paul Reyes, editor of the Virginia Quarterly Review that Americans of Hispanic origin simply do not constitute a monolithic political bloc. Their age, their countries of origin, the length of time their families have lived in the United States and their economic status, among other factors, make Latinos in Florida as politically unpredictable as anyone.
And Hispanic voters, like voters from all walks of life in her state, are registering more and more as “no party affiliation.”
Yet partisanship in the Sunshine State is only ramping up. With support from GOP legislators, Gov. Ron DeSantis has led the charge in passing restrictive voting laws and banning mask mandates in public schools. And during his tenure state university professors are being blocked from testifying against those measures, raising concerns about academic censorship.
But none of that mess has disheartened voting rights activist Desmond Meade, who heads a coalition that pushed through one of the biggest re-enfranchisement efforts in America in half a century.
A former convict himself — or as he likes to say, a “returning citizen” — Meade recovered from drug addiction in the early 2000s and embarked on a quest to restore voting and other civil rights to felons who have served their time. Beating the odds, Floridians agreed with him by nearly 2-1 in a referendum in 2018 that changed the state constitution, ending a post–Civil War era policy intended to disenfranchise formerly enslaved people. This journey was deeply personal for Meade, he tells Democracy in Danger producer Robert Armengol: Only weeks before we released this episode, Meade finally had his own civil rights fully restored.
About This Series
This is the second episode in a miniseries on critical issues in government by the people around the United States. Join Will and Siva as they examine how state capitals have become battlegrounds for acrimonious national politics — but also, at their best, experiments in defending the democratic process and democratic ideals.
Heard on the Show
The music we used to score our piece on Desmond Meade came from a variety of sources, in this order: Podington Bear’s “Dark Matter,” off the 2013 album Thoughtful; Daniel Birch with “Heart,” from Music Made in Isolation (2020); “Phoebe Yoshiko,” by Top Critters, off their 2011 release Artsongs; and Serge Quadrado’s “Russian Life,” on the collection Russian Soul (2019). We closed off the segment with Austin Leonard Jones of Austin, Texas, crooning “Florida,” from his 2012 record Ponderosa.
We signed off with Susan MacManus to the sound of a 1937 jazz rendition, by the Mills Brothers and Louis Armstrong, of “The Old Folks at Home,” a.k.a. “Swanee River” — the state song of Florida. Originally written by Stephen Foster in 1851 as a minstrel tune, the lyrics got a makeover in 2008 to remove offensive language romanticizing the slave South.